The Narrative of Silenced Voices: A Retrospect to the 1969 Mass Upsurge Depicted in Akhtaruzzaman Elias’s Chilekothar Sepai

Authors

  • Moumita Haque Shenjutee lecturer in the Department of English, East West University, Bangladesh

DOI:

https://doi.org/10.3329/spectrum.v16i100.61065

Keywords:

Historiography of nationalism, elite domain, subaltern domain, representation, speech, 1969 mass upsurge

Abstract

This paper explores how Akhtaruzzaman Elias, one of the most influential Bengali writers, rewrites the narrative of the mass uprising of 1969 from the orbit of the subalterns by emphasizing their heroic role as well as the agencies behind their gradual absence from the elitist historiography of nationalism in his novel Chilekothar Sepai [The Soldier in an Attic]. To this end, this paper will refer to the subaltern historian Ranajit Guha’s method of deconstructing historiography of nationalism that looks for an autonomous domain of revolution organized by the subalterns, and Spivak’s postulation of their inability to create a space for themselves within that dominant narrative.

Spectrum, Volume 16, June 2021: 53-67

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Published

2022-11-17

How to Cite

Shenjutee, M. H. . (2022). The Narrative of Silenced Voices: A Retrospect to the 1969 Mass Upsurge Depicted in Akhtaruzzaman Elias’s Chilekothar Sepai. Spectrum, 16(100), 53–67. https://doi.org/10.3329/spectrum.v16i100.61065

Issue

Section

Centenary Articles